Getting hold of the writer, and the questions worth asking first

Most notes on this blog start as a question someone sent in about a stuck forme, a paper that cockled, or a supplier who stopped stocking a thread. If yours is one of those, write it down plainly and send it. If it is already answered somewhere on the site, the FAQ route below will usually get you there faster.

Email

Technique questions, corrections to a recipe, or a note about a stock that behaved differently than described. Attach nothing large; a short description and a photo link is enough.

hello@hunterashworth.com

Phone

Best for short, practical things: whether a workshop is running, whether a supplier still carries a paper, or a quick check before you travel across town for something.

+27 72 704 6819

Post

For samples, printed matter or anything that needs to arrive as a physical object rather than a file. Letters and small parcels are read properly, just slowly.

The Mills, 66 Carr Street, Newtown, Johannesburg, 2001, South Africa

Before you write

A lot of what comes in is already covered: how to set a line that will not shift under the quoin, which stocks take a deep impression without crushing, why a risograph drum leaves its own texture, and how to photograph paper grain with one window and a diffuser. Those notes live in the guide centre and in the individual posts, and they are updated when something turns out to be wrong.

Questions about how your details are handled are answered on the privacy page, and the terms for using anything published here sit on the terms page.

Before you start

A few things worth settling early, whether you are reading a note here or heading into a workshop of your own. None of this is a rulebook, just the questions that come up most often.

Still unsure where to look? The starting notes walk through the first steps, and the contact page is the place to send a question.

What do I need before a first session?
Very little. An apron, closed shoes and a notebook cover most of it. Tools, type and paper are supplied in the studio. If you already own a composing stick or an awl, bring it, but nothing is expected.
How long does a short run take?
It depends on the process. Hand-set type is slow by nature, and a small edition can take a full day or more. Risograph runs move faster once the drum is set, but drying and a second pass add time. Plan for more than you think.
Can I work from home?
Some parts, yes. Binding, folding and photographing prints work well on a kitchen table. Letterpress and risograph need a press and a space that tolerates ink, so those stay in a studio.
What are the honest limits?
Registration on a risograph drifts, paper behaves differently in humid weather, and a desk setup will not capture every fine detail of an impression. Knowing this in advance saves a lot of frustration later.
How current are the notes?
Entries are updated slowly and marked with the date they were last checked. Anything that could not be verified is left out rather than guessed, so a list may look shorter than expected.
Where do I send a question?
Use the contact page for anything specific about technique, tools or materials. Questions about a particular stock or binding method are welcome, and a clear description helps more than a general one.

For how your details are handled, see the privacy policy and the terms.

Reaching the writer

Questions about a technique, a paper that behaved oddly, or a supplier worth adding to the lists? Send them through. Notes on what failed are as welcome as the ones that worked.

The blog is slow by design, so a reply may take a while. If you are working on something specific, say which craft it sits in and it is easier to point you to the right entry.

Postal address

The Mills, 66 Carr Street
Newtown, Johannesburg, 2001
South Africa